The Law of the Arts
"For this seems, finally, to be the law of all the arts - one essential prerequisite to
the production of a great work of art is a great man. You cannot have the art without the man,
and when you have the man you have the art. His time and his surroundings will color him; his art
will not be at one time or place precisely what it might be at another; but in the end, the art
is the man and at all times and in all countries is just as great as the man.
Let us clear our minds, then, of the illusion that there is in any important sense
such a thing as progress in the fine arts. We may with a clear conscience judge every
new work for what it appears in itself to be, asking of it that it be noble and beautiful
and reasonable, not that it be novel or progressive. If it be great art it will always be
novel enough, for there will be a great mind behind it, and no two great minds are alike.
And if it be novel without being great, how shall we be the better off? There are enough
forms of mediocre or evil art in the world already. Being no longer intimidated by the fetish
of progress, when a thing calling itself a work of art seems to us hideous and degraded,
indecent and insane, we shall have the courage to say so and shall not care to investigate
it further."
Kenyon Cox
The American Academy of Arts and Letters
December 13, 1912
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Daniel Leo Simpson
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